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History of Rock Chp 3 
Gospel music was influenced by the Catholic Church.. Race records included gospel music, vocal harmony groups, and small combos.
Which of the following is a characteristic of a folk spiritual?. Why was Thomas Dorsey’s music poorly received at first?
In 1949, what term did the Billboard charts uses to replace “race records”?. All of the following were vocal harmony groups EXCEPT:
Resources for Family Engagement from the Library of Congress 
Resources for Family Engagement from the Library of Congress. We invite you and your family to participate in these activities, inspired by the collections, programs, and expertise of the Library of Congress.
Jason Reynolds, the seventh National Ambassador for Young People’s Literature, shares his passion for storytelling through newsletters and videos.. Best of the National Book Festival for Kids & Teens
The activities below require just a few simple items you can find easily around the house and items from the Library’s website. Kids are encouraged to use their creativity to enhance, adapt, or recreate anything we share
The Library of Congress Celebrates the Songs of America 
African American Gospel music is a form of euphoric, rhythmic, spiritual music rooted in the solo and responsive church singing of the African American South. Its development coincided with — and is germane to — the development of rhythm and blues.
Songs written by African American composers in the decades following emancipation that focused on biblical themes and often drew from spirituals were the source for the development of Gospel. An example is “De Gospel Cars,” by the popular composer Sam Lucas.
Echoing the ways of the single-room churches of the agrarian South, the storefront churches of the northern cities became the key setting for the development of Gospel.. During the 1930s, Gospel music emerged from the coalescing of three types of musical activity: a) the hymn style of Charles Albert Tindley (1851-1933) a Philadelphia minister who composed hymns based on negro spirituals, adding instrumental accompaniments, improvisation and “bluesified” third and seventh intervals; b) the minimalist, solo-sung “rural Gospel” tunes that appeared as a counterpart to the rural blues; and c) the uninhibited, exuberant worship style of the Holiness-Pentecostal branch of the Christian church.
Musical Movements: Impact, Influence and Issues 
Both free and enslaved African American people in antebellum America composed and performed music in a wide variety of styles. Like their white counterparts, they listened to and performed the songs of Stephen Foster and other popular white composers.
Music and dance — an integral part of African life — became an important part of life for blacks in America. Both slaves and free blacks used music as an accompaniment to work, worship, and celebration
In Northern cities, a small number of black musicians gained the kind of renown usually reserved for whites. Frank Johnson, a talented musician and prolific composer, led orchestras and string bands that gave gala public performances in Philadelphia and other locales
History of Folk Spiritual 
Key Attributes of Folk SpiritualSelect to filter timeline. One of the most exhilarating, expressive and inspiring forms of African American music—beloved by people of all religious persuasions despite its exclusive lyrical adherence to the tenets of Christian belief and storytelling—is gospel, whose predecessor is the spiritual
The folk spiritual is a form of improvised music, spontaneously created by individuals and groups. The concert spiritual, also known as arranged spirituals, evolved in schools created to educate the enslaved after emancipation
It was sung in both religious and secular settings, including as the enslaved worked the plantation fields.. As Africans in America, the enslaved maintained their African way of life, including religious practices
Folk music – Oral Tradition, Tune Families, and Variants 
Where a folk song originated is rarely known to its community, and thus the anonymity of the creative process was once considered a major criterion of folk music identification. It has become clear, however, that folk songs and other pieces are the result of individual creation, either by villagers or by professional or church musicians whose work is somehow taken up in the folk culture
The form of a folk song as heard at any one time, however, is likely to have been very much affected by the entire community because of its life in oral tradition. Once introduced, a song could be easily dropped from the repertory
Numerous influences acted on a song, including creativity, forgetfulness, previously learned songs, and stylistic expectations. As a result, it might become shorter or more like new styles of popular or church music, for example
What Are The Characteristics Of A Folk Song? 
Folk songs have been around as long as there have been folks to sing them, and, despite being one of the oldest types of music, new so-called folk music is still being created today.. But, we wanted to explore some of the defining characteristics of real folk music, as opposed to pop music which parades itself as folk music these days.
Let us know if you agree with us, or have something to add…. Folk music is a type of music that is typically passed down from generation to generation within a community
Folk music often has a strong narrative element, and can be used to tell stories or convey messages.. Folk music has been around for centuries, and has played an important role in the cultures of many countries
The Library of Congress Celebrates the Songs of America 
A spiritual is a type of religious folksong that is most closely associated with the enslavement of African people in the American South. The songs proliferated in the last few decades of the eighteenth century leading up to the abolishment of legalized slavery in the 1860s
Famous spirituals include “Swing low, sweet chariot,” composed by Wallis Willis, and “Deep down in my heart.” The term “spiritual” is derived from the King James Bible translation of Ephesians 5:19: “Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord.” The form has its roots in the informal gatherings of African slaves in “praise houses” and outdoor meetings called “brush arbor meetings,” “bush meetings,” or “camp meetings” in the eighteenth century. At the meetings, participants would sing, chant, dance and sometimes enter ecstatic trances
An example of a spiritual sung in this style is “Jesus Leads Me All the Way,” sung by Reverend Goodwin and the Zion Methodist Church congregation and recorded by Henrietta Yurchenco in 1970.. In Africa, music had been central to people’s lives: Music making permeated important life events and daily activities
What are the characteristics of Negro Spiritual vocal arrangements? 
First, it’s entirely historically correct to call them “Negro spirituals” but it’s become the accepted practice to call them “African-American spirituals” or simply “Spirituals”.. I agree with other commentors who say that it’s about the way that it is performed
An effective performance would include elements like a very heavy emphasis of beats 2 and 4 in 4/4 time even if the piece is a capella vocals–especially if the piece is a capella vocals.. In spirit (pun intended) let me offer my opinion that, especially if you are not African-American yourself, it is important to approach the source material and the subject matter with great reverence and humility
Let me share an anecdote from my many years of singing choral music. A college choir I sang in was preparing for a concert with a guest conductor
Taoism is an ancient Chinese philosophy and religion that instructs believers on how to exist in harmony with the universe.. Anthropology, Religion, Social Studies, World History, Storytelling
Hundreds of Taoists embark on pilgrimages every year along with tourists from around the world to see this spectacular site.. The audio, illustrations, photos, and videos are credited beneath the media asset, except for promotional images, which generally link to another page that contains the media credit
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The Formation of Spiritual and Moral Qualities of Students through Folk Songs is an Urgent Pedagogical Problem 
The Formation of Spiritual and Moral Qualities of Students through Folk Songs is an Urgent Pedagogical Problem. Keywords:Spiritual and moral qualities, melody, song, performance folk art, performance of children’s folklore, local style, education, analysis
Current pedagogical problems in the formation of spiritual and moral qualities of students.. The Formation of Spiritual and Moral Qualities of Students through Folk Songs is an Urgent Pedagogical Problem
Retrieved from https://inovatus.es/index.php/ejine/article/view/254
African spiritual phenomena and the probable influence on African families 
African spiritual phenomena and the probable influence on African families. Unit for Reformational Theology and the Development of the South African Society, Faculty of Theology, North-West University, Mafikeng, South Africa
African spiritualities must be understood as originated from Africa’s soil, but also developed through contact with people from other countries and continents. The African independent or indigenous churches play an important role in the establishing of African Christian spiritualities
When the influence on African families are discussed, it is done from a Christian point of view, and for this reason the article concludes with the role of the missional church and parents in the spiritual formation of their children.. Keywords: African traditional religion, spirituality, globalisation, families, missional church
[Solved] Following are the characteristics of Non-Conventional learni 
Following are the characteristics of Non-Conventional learning:. Choose the correct answer from the options given below:
– Non-traditional learning programmes include teaching-learning activities outside of on-campus, scheduled classes.. – The characteristics of non-Conventional learning:
Thus, the correct answer from the options are B, C and D only.. – Learning these affordable hobbies helps someone find work.
Overview of Vietnam culture 
Vietnam has an age-old and special culture that is closely attached to the history of the formation and development of the nation.. Historians have shared a common view that Vietnam has a fairly large cultural community that was formed around the first half of the first millenium B.C
Different development routes of local cultures in various areas (in the deltas of Red River, Ma River, Ca River and so on) joined together to form the Dong Son culture. This was also the period of the very “embryonic” state of Vietnam in the form of inter- and super-village community, which came into being and existed in order to resist invaders and to build and maintain dykes for rice cultivation
The period of Van Lang-Au Lac State: (lasting for nearly 3,000 years up to the end of the first millenium before Christ) in the early Bronze Age with 18 Hung kings was regarded as the first apogee in the history of the Vietnamese culture, which was typified by the Dong Son bronze drum and stable technique of cultivating wet rice.. The post-Chinese domination period was characterized by the two parallel trends of Han assimilation and anti-Han assimilation
What Is Indie Folk Music? With 9 Top Examples & History 
What Is Indie Folk Music? With 9 Top Examples & History. Want to know what indie folk music is, what it sounds like and how it came about? Well, today we’ll be sharing just that and giving plenty of examples!
It falls into the broader category of folk music, which is primarily characterized by storytelling. For nearly fifty years, independent artists have been experimenting with folk music as a vehicle expressing musical creativity.
Indie folk music focuses on creating music simply for the love of music production rather than satisfying a record label or mass appeal. While nearly every indie-folk musician begins independently, some musicians decide to work with recording companies to enhance the sound quality or provide easier access to content for fans.
Don Ca Tai Tu – the Southern Folk Song in Vietnam 
The Southern folk song (often called Đờn Ca Tài Tử) is a kind of musical art featuring both scholarly and folk roots, which flourished in Sothern Vietnam in the late 19th century. Don Ca Tai Tu is said to reflect the lifestyle of Southern people who live and work on the land and rivers of the Mekong Delta region
Don Ca Tai Tu’s Features (source: maisondesculturesdumonde.org) Don Ca Tai Tu, a traditional folk song of Vietnam, has been deeply influenced by some other forms of cultural heritage from the central and south of Vietnam, including ceremonial music (Nhac Le), classical theatre and folk song (Hat Boi). Based on 20 principal songs (Bai To) and 72 classical songs (Bai Nhac Co), each Don Ca Tai Tu song comprises skeletal melodies which are used as the basis for improvisation, ornamenting and varying the skeletal melody of pieces and the main rhythm patterns
They are the moon-shaped lute (kim), two-stringed fiddle (co), 16-string zither (tranh), pear-shaped lute (ty ba), percussion (song lang), monochord (bau) and bamboo flute (sao). Besides, the violin and guitar are also adapted in the performance
The Relationship between Traditional Music in Xinjiang and the Geographical Environment of the Gobi Desert 
The Relationship between Traditional Music in Xinjiang and the Geographical Environment of the Gobi Desert. The labeled data set used to support the findings of this study is available from the corresponding author upon request.
When studying the style characteristics and cultural types of music, more comprehensive and correct conclusions can be drawn only when considering various regional factors such as geography and topographic environment. If we want to explore the music of Xinjiang, we must understand the regional culture
At the same time, because of the geographical environment of the Gobi Desert, the music style of Xinjiang is unique. This paper explores the relationship between the traditional music of Xinjiang and the Gobi desert, through the investigation and study of Xinjiang and various musical styles, which have certain reference significance for the study of the Chinese traditional culture.
The Shift to the Concert Stage: “Wade in the Water” and the American Spiritual – Song of America 
“The Negro folk-song—the rhythmic cry of the slave—stands to-day not simply as the sole American music, but as the most beautiful expression of human experience born this side the seas.”. Originating among enslaved African-Americans during the Antebellum era, the spiritual is one of the most important genres of American music
“Wade in the Water” was one such spiritual and served as an important song along the Underground Railroad–leading enslaved peoples to escape by water to avoid tracking dogs–and in religious settings as a baptismal song. “Wade in the Water” and other spirituals continue to influence American music and culture and have transformed into other genres such as the concert spiritual and gospel.
African-Americans were also allowed to pursue careers in music and entertainment outside of the racist minstrel tradition, one of the most popular forms of entertainment at the time. “Wade in the Water” and many other spirituals reflected these new opportunities as the concert spiritual developed, a musical form that combines traditions of spirituals and classical song